Category Archives: The Technique of Okinawa Karate and Kobudo

NEW RELEASE: Bo – Techniques, Forms, and Partner Practices of Ancient Okinawan Fighting Traditions. Volume 1: Bo-odori.

Softcover Release scheduled for March 1, 2024, 12:00 a.m. on all Amazon regional pages. Softcover edition: US | UK | DE | FR | ES | IT | NL | JP | BR | CA | MX | AU | … Continue reading

Posted in Book Reviews, kobudo, kumibo, Performing Arts, Postwar Okinawa Karate, Prewar Okinawa Karate, Publications, Terminology, The Technique of Okinawa Karate and Kobudo, Theories of Historical Karate in Comparative Perspective, Tsuken | Comments Off on NEW RELEASE: Bo – Techniques, Forms, and Partner Practices of Ancient Okinawan Fighting Traditions. Volume 1: Bo-odori.

Ancient Martial Arts of the Ryukyu Islands – Mekata-bo

The video at the end is a remake taken from an Okinawan Mēkata-bō. In particular, this Mēkata-bō was designated an Intangible Folk Cultural Asset on June 27, 1990. Mēkata-bō is the opening dance for purification on stage or at festivals, … Continue reading

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The creation of sai choreographies – Hints on example of Yāka no Sai

I have previously noted about Yakā no Sai, explaining the meaning of the word yāka and so forth. In the meantime, I stumbled upon the oldest reference I could find so far explaining the meaning of yāka (guardian) as a … Continue reading

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Is Zakimi bōjutsu the original Tsuken-bō?

In a similar line of thought as in the previous article, I continue the search for hints to the spread and characteristics of Tsuken-bō. This time it is about Zakimi bōjutsu, sometimes simply called Zakimi-bō as handed down in Zakimi … Continue reading

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Is Namihira-bō the original Tsuken-bō?

As part of my ongoing research into village staff fencing (mura-bō), I stumbled upon this this performance, which took place in Hawaii. I posted about it on Facebook in January 2104. Back then, the following information came to light. It is … Continue reading

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Tsuken Sunakake and Tsuken Akan’chū

I published a number of articles related to the tradition of Tsuken before. Here is another piece I once copied in a Okinawan dōjō. The text is as follows. Tsuken Sunakake It is said that Master Tsuken was defeated during … Continue reading

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Reasonable expectations

Previously, I wrote about “The Four Outer Forms of Postures Discovered by Matsumura” as described and taught by the late Kinjō Hiroshi sensei. These Four Outer Forms are the result of Kinjō’s inductive reasoning and empirical argumentation. Obviously, in Okinawa … Continue reading

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Tsuken was neither known for Tsuken-bō nor Jigen-ryū, but for horsemanship

As mentioned before, today Tsuken Uēkata Seisoku is considered the originator of Tsuken Bō and an expert in Jigen-ryū swordmanship. Even an English Wikipedia entry says he “was good at riding horses and Jigen-ryū,” presenting the Kyūyō as the source. The Kyūyō … Continue reading

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Tsuken Akan’chū and the impossibility of a direct personal instruction by Tsuken Uēkata

In my previous article I shared the story of Tsuken Uēkata. At the end of that story, Tsuken Uēkata was interned in Kagoshima after his political intrigue was discovered. So, how, and when did he create Tsuken-bō, and how was … Continue reading

Posted in Bojutsu Kata Series, kobudo, Matayoshi Kobudo, Postwar Okinawa Karate, Prewar Okinawa Karate, Terminology, The Technique of Okinawa Karate and Kobudo, Theories of Historical Karate in Comparative Perspective, Tsuken | Tagged , , , , | Comments Off on Tsuken Akan’chū and the impossibility of a direct personal instruction by Tsuken Uēkata

Tsuken Uēkata Seisoku

In the previous article, I wrote about Tsuken no Kon. This kata is said to be one of the oldest bōjutsu of Okinawa, dating back to a certain Tsuken Uēkata Seisoku. According to historian Majikina Ankō (1923), Tsuken Uēkata Seisoku … Continue reading

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