Tag Archives: Tsuken Bo

Is Zakimi bōjutsu the original Tsuken-bō?

In a similar line of thought as in the previous article, I continue the search for hints to the spread and characteristics of Tsuken-bō. This time it is about Zakimi bōjutsu, sometimes simply called Zakimi-bō as handed down in Zakimi … Continue reading

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Is Namihira-bō the original Tsuken-bō?

As part of my ongoing research into village staff fencing (mura-bō), I stumbled upon this this performance, which took place in Hawaii. I posted about it on Facebook in January 2104. Back then, the following information came to light. It is … Continue reading

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Tsuken was neither known for Tsuken-bō nor Jigen-ryū, but for horsemanship

As mentioned before, today Tsuken Uēkata Seisoku is considered the originator of Tsuken Bō and an expert in Jigen-ryū swordmanship. Even an English Wikipedia entry says he “was good at riding horses and Jigen-ryū,” presenting the Kyūyō as the source. The Kyūyō … Continue reading

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Tsuken Akan’chū and the impossibility of a direct personal instruction by Tsuken Uēkata

In my previous article I shared the story of Tsuken Uēkata. At the end of that story, Tsuken Uēkata was interned in Kagoshima after his political intrigue was discovered. So, how, and when did he create Tsuken-bō, and how was … Continue reading

Posted in Bojutsu Kata Series, kobudo, Matayoshi Kobudo, Postwar Okinawa Karate, Prewar Okinawa Karate, Terminology, The Technique of Okinawa Karate and Kobudo, Theories of Historical Karate in Comparative Perspective, Tsuken | Tagged , , , , | Comments Off on Tsuken Akan’chū and the impossibility of a direct personal instruction by Tsuken Uēkata

Tsuken Uēkata Seisoku

In the previous article, I wrote about Tsuken no Kon. This kata is said to be one of the oldest bōjutsu of Okinawa, dating back to a certain Tsuken Uēkata Seisoku. According to historian Majikina Ankō (1923), Tsuken Uēkata Seisoku … Continue reading

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The techniques of Chinen Masami’s Yamani-ryū

Chinen Masami 知念正実 (1898–1976) was an Okinawan bōjutsu expert. He taught privately at his home in Shuri Tōbaru, Okinawa. He named his style Yamani-ryū 山根流 after his grandfather Chinen Sanrā 知念三良 (1842–1925). In a newspaper article from 1918 Sanrā was … Continue reading

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